BOOK > FLOAT #2

Float #2 cover

FLOAT #2

The Psychotic Culmination of a Nirvanic Absurdity!

Wukung
shoots his way out of the courthouse, taking Float with him. During the getaway, Pat unexpectedly turns up to help. Then Bajie, Float's pig disciple, appears and reveals that Pat is a tabloid reporter who knew the LAPD was seeking Float for his ex-wife's murder. She found Float before the police, seduced him and got her scoop. By now, the scandalous photos Pat had taken of Float are plastered in the media all over town; only Float was too naive to know. Bajie rips open Pat's clothes to reveal wires hooked up for satellite transmission on live TV. This is all too much for Float...

 

FLOAT #2: “Break-Out!” is the continued saga of Float’s misfortune from Issue #1: “The Trial of the Century”. This episode puts a period to the background setting of the FLOAT series and marks the beginning of a journey of no return for the disgraced Buddhisava, Float Chen.

This 24-pages, full-color, comic book is published by Yi.magination Studios (Valencia, California) and distributed by Diamond Comics. The book was released in March 1999.

While the story and art of FLOAT is conceived by its creator, Yi-Chih Chen, joining the team on FLOAT #2 are the veteran comic book artist Fred Carrillo and Colorist Andrew Crossley. Carrillo, with a distinguished career both in comic book and animation, brings to the project a thriving drawing and inking style. His “no nonsense” professionalism ensures the book’s Armageddonisque ending to be executed with precision while maintaining excitement. Carrillo’s art is further enhanced by the brilliant coloring of Andrew Crossley and Steve Windmiller. Although relatively new to the industry, Crossley’s work shows unusual discipline and great promises. Together, Crossley and Windmiller, produce a color scheme that pushes the style of the book to its esthetic limit.

This is a book not to be missed, both in terms of story and in terms of art. Story wise, it not only continues the saga of the previous issue, but also provides a psychological basis/clue for the journey to be set off in future issues. It is a keystone episode for the entire series. The artwork is so brilliantly carried out that it merges seamlessly with the story that they become one (as all comic books supposed to be). For lack of better words, the visual is simply stunning!

 

Publisher: Yi.magination Studios
Story/Art: Yi-Chih Chen
Pencil/Ink: Fred Carrillo
Color: Andrew Crossley,
Steve Windmiller


Full color 24 pages

click on thumbnails for larger view
Page 1 thumbnail Pat is confronted at
gunpoint by Float and
WuKung. Why? Readers
of issue one, know why.
Page 3 thumbnail A brutal battle scene
with the police and
Wukung. He shows you
why you don't mess
with this him!
Page 14 thumbnail Float, Wukung, and
Bajie dodging bullets
from above. Wukung is
screaming "We Gatta
Get Outta Here!"

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