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Float #1 cover

FLOAT #1

If Adultery Could Bring Down a Bubba, What Would It Do to a Buddha?

Float, a modern day reincarnation of a disgraced Buddhisava from ancient time, recently divorced and depressed, is unexpectedly arrested by the police for the murder of his ex-wife (great shades of the OJ Simpson case!)...

 

FLOAT is a 24-page, full-color, comic book series published by Yi.magination Studios (Valencia, California) and the first issue was shipped in January 1999. The initial publishing schedule for this title consisted of 6 issues, one 2-part episode and one 4-part episode. These mini series are to be recompiled and marketed as graphic novels later for a second shelf life.

The story of FLOAT is inspired by a 16th century Chinese novel “The Journey to the West” (by Wu Cheng En, 1500-1582) and the character Float is loosely based on Hsuan Tsang (596-664), an actual Buddhist monk who journeyed from China to India (628-645) in search of sacred scriptures. However, according to the creator of FLOAT, Yi-Chih Chen, “the historical event serves only as recurring background texture to provide a metaphorical dimension to the story. Our plot and characters are purely fictional and resonate 100% with our time” In fact Chen categorizes his title as a “post modern techno political sci-fi adventure, explicitly violent, implicitly erotic and spiritually enlightening”, in other words, it’s not your father’s comic book.

Yi-Chih Chen, with a background rooted in animation and multimedia, is a seasoned director/producer, animator, and storyboard artist. His credits include Producing the 1995 season of IRON MAN TV series for Marvel. Chen and his collaborators, writer Eric Luke (a veteran of both screen and comic book writing, including Ghost and Wonder Woman ) and artist Fred Carrillo (another multi-talented comic book and animation layout artist, with credits in a wide spectrum of media and entertainment titles), bring a unique visual perspective to the comic book story telling. The plot is carried by punchy camera narrative instead of wordy balloon grammar. And the emotion is delivered by suggestive montage instead of disengaged captions. We see jump cuts, severe close-ups, and sharp angles interlaced with a visual quiescence of the classic East. The mood is tense, controversial, psychotic, and at the same time blissfully karmic.

FLOAT is also published online in cyber space. In fact when it was first conceived in 1997, the title was developed primarily for the web. The print and the web versions complement and enhance each other, and they are designed to create a more immersive and participatory experience for the readers. The online version of FLOAT www.yimagination.com/float/ takes advantage of the interactivity of the web media. Through the use of animation, JavaScript, and DHTML, the web version creates a more dynamic visualization of the story, while the print version solidifies readers’ experience by providing something tangible in their hands. Thus the full aesthetic circle is completed.

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Bubba: Clinton's nickname

 

Publisher: Yi.magination Studios
Story/Art: Yi-Chih Chen
Color: Steve Windmiller

Full color 24 pages

click on thumbnails for larger view

Page 13 thumbnail

Arrested by LAPD!
Float doesn't
understand what
crime he's being
charged with.

Page 9 thumbnail Float is knocked
unconscience and
dreams of
Xiao Shan...
Page 16 thumbnail

A dream
sequence, a
revelation of his
fate. What does
it mean?

Page 17 thumbnail

Cuffed and
shackled, Float
is paraded into
the Trial of the
Century.

Page 20 thumbnail

Purgatory of
Float's sins
materialized in
the middle of a
LA court room?

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